It is the polysémique look of a standing man in the city. The urban space visited, go make to react it and to think, while imposing him a rhetoric unconscious cheminatoire but happy. The strength of the perspectives and these volumes, the quality of light and these shades, is going to
act on this man's behavior become a" passe-lumière ". To observe, to discover and to inhale in bulk all his/her/its dusts of city with his/her/its objective, for then, to rebuild some pictures in the drank to reveal and to make spring quoted it volume-object of the building. To try to create
á to leave from a real infinity, of the imaginary and utopian buildings but recognizable, of the floating buildings to the wills of wind because pulled of their environment, streets, cities, of their functions of office or lodging, they are revealed to they-same. It is a transformation critical of a construction thin á to change the volume of it and to increase his/her/its visual impact in an excessive manner.
To get a spatial,futuristic perception, to acquire a vision unreal and utopian of the architecture.
Discount in question of the diachronie of the contemporary photo, of the representation that we make ourselves this work of art and of his suit. Is it at the same time a kidnapping and a diversion of the reality, is it artificial? yes, because the art is only artifice. Therefore,
transgression of the values, garaged in question of the aesthetics of the contemporary building by the photo, sacrifice of the architecture on the altar of the photographer and takes in hostage of a building and her creator.
Print: Fine Art Giclé of Baryte Paper 300gr.
Laminated on Alu Dibond 4mm.
Frame: Shadow Box with Glass.